Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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MASTER of Budapest
The Sermon of St John the Baptist

ID: 97758

MASTER of Budapest The Sermon of St John the Baptist
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MASTER of Budapest The Sermon of St John the Baptist


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MASTER of Budapest

Spanish painter active c. 1500 in Castile  Related Paintings of MASTER of Budapest :. | The Sermon of St John the Baptist | The Sermon of St John the Baptist | Crucifixion | Holy Bishop | The Sermon of St John the Baptist |
Related Artists:
Ostade, Adriaen van
Dutch Baroque Era Painter, 1610-1685 Painter, draughtsman and etcher. According to Houbraken's rather unreliable biography, he was a pupil concurrently with Adriaen Brouwer of Frans Hals in Haarlem. Hals influenced him very little, whereas Brouwer, who was described as 'known far and wide' as early as 1627, had a decisive influence on the evolution of Adriaen van Ostade's always idiosyncratic portrayal of peasant life. The first documentary mention of Adriaen van Ostade as a painter is in 1632 (Schnackenburg, 1970). Most of his paintings are signed and dated, the earliest firmly dated example being the Peasants Playing Cards (1633; St Petersburg, Hermitage).
Mario Dei Fiori
Italian painter , Penna Fermana 1603- Rome 1673 Italian painter. He was the first and most famous Roman painter to specialize in flower-pieces and one of only four still-life artists included by Leone Pascoli in his collection of artists' biographies. The early sources and old inventories attribute many flower paintings in distinguished Roman collections to the Caravaggesque painter Tommaso Salini, and since the 18th century Mario's name has been linked with his, and it has been assumed that he trained with Salini. This apprenticeship is difficult to document, yet a comparison of Mario's pictures with inventory descriptions of works by Salini confirms that Mario was influenced by his art. To the minute observation of various kinds of flowers, Mario added a refined sense of design and an interest in effects of light, still linked to Caravaggio in the use of a dark background.
Angiolo Tommasi
painted On the river Arno in 1883-1885






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